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The Blitz |
The Morning of Waiting |
A Medieval Shambles |
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History As A
Stimulus For Writing
Studying the past
produces limitless writing opportunities.
Children will be
excited by history if it is presented to them in exciting
ways, with strong, significant characters and high drama.
People in the past ate and drank, they breathed air and
blood ran through their veins. They laughed and sang and
danced and cried. They were emotional people, just as we
are. But for a fluke of nature, we would have lived in the
16th century and not the 21st. Literacy links comfortably
with history, and when the two are combined, it is equally
enjoyable for teachers and their children, in their
respective roles. Writing on a historical theme needs good
teacher stimulus, which may involve a visit, a local event
from the past, use of video or artifacts. Some research will
certainly be needed so the children have a good
understanding of the period they are writing about and to
ensure that their work is historically accurate. A high
level of empathy will be required so the children have a
real feeling about people and events, but this is only
achieved by skillful questioning on the teacher’s part,
sowing seeds of ideas in the children’s minds.
Kayleigh’s Dursley’s
emotive piece ‘The Blitz’, followed a school visit to the
Eden Camp museum in North Yorkshire, where the exhibits gave
her the images, sounds and atmosphere of a night time
bombing raid on London.
The Blitz
Terrified people wake restlessly from their troubled sleep,
only to hear another screaming air raid siren. As they run
through the blazing street, an old man is groaning his last
words underneath the burning rubble. A petrified little girl
clutches her smoke stained teddy, listening to a burst water
pipe beside her. Perplexing memories surround the
smoke-smothered town of London. Tall houses now are tiny
sculptures. A hand underneath a pile of rubble tenses, and
then drops. Another person feared dead. Over two million
lives already lost. How many more?Hundreds of bombers droned
the air. People cover their ears, as the noise is dreadful.
Dispatch riders patrol the streets, constantly running to
their ambulance base, to inform the nurses of the horrific
injuries they’d seen. A young man lies on a kitchen table
with a large block of wood in his back. A family of rats
surround a dead cat, feeding on morsels of open flesh
wounds. A small boy refuses to come out from under the
stairs. He was crying, making little channels of water,
through his blood stained face.
Bombs like dragons breathing fire continuously, burning
objects in its path to a crisp. An old lady hangs out the
window, passing a baby to the fireman below, before falling
to her death. The thick, black smoke wrapped itself around
London, like a huge Anaconda. A smashed wireless buzzes
away, but is heard by no one for the screams of dying town
people. The A.R.P. wardens comfort the casualties of
dreadful destruction. A tiny baby lies on a bedside table,
covered in blood stained shirts.
Bombers still hovered over-head, dropping about a hundred
bombs an hour. The magnificent town of London was fast
becoming a massive pile of rubble. A huge piece of wood
crushed a beautiful pot doll. Her dress was made of white
velvet and lace. A small girl ran after it crying “Lucy!”
she carefully picked the doll up and ran to her mother.
At last silence, the skies are empty, the noise of the all
clear siren rings around the city.
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The next two pieces, written by Fiona P and Faye A, followed
a day’s visit to the city of York.
Fiona retells an event in the history of York Minster,
placing herself in the role of an on-looking by stander. The
images of the Minster are true; it was opened by King Edward
IV and Europe’s largest bell was called Big Peter, but
Fiona’s language re-creates the scene as clearly as one of
those old, epic historical films starring Charlton Heston,
Lawrence Olivier etc.
Faye’s wonderful descriptive imagery paints pictures in
words, which depict a Medieval street and its characters,
almost as if the writer herself has been transposed there
and is writing from first hand experience, a perfect example
of a child empathizing with a subject.
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The Morning of Waiting
I cast my eyes on the monster above me. The beautiful
building towered above me making me feel like an ant. Two
hundred and fifty years of hard work lay before my weary
eyes. I had travelled quite a way to see the great structure
being opened. Layers of arches built up on top of each other
completed my view. The grand opening was due to take place
at around midday by our King, Edward IV. The illuminating
sun was just rising above the huge central tower. Weird
shaped gargoyles protect the Minster from the devil’s evil
spirits. Carefully carved statues of our kings jut out from
the edge. My mind was swirling with thoughts as I gazed up
at the majestic rose window. The pinky colours glimmered as
the sun took its place in the orangey sky. The huge circular
rose window loomed down on me as the crowds begun to gather.
I was quietly praying that this Minster wouldn’t be ruined
by fire. A stale odour of meat hung lazily in the air as a
cool breeze blew in from the stinking fleshammels. The busy
hubbub of the centre of York was growing quickly. Already I
was amazed at my first visit to York Minster. On the cobbled
streets there was a scattering of dust, blown on from the
Minster itself.
The powerful sun was now in full glory as midday drew
nearer. A bony, leafless tree, marked the middle of a cold
blustery autumn. Today’s weather was a complete change to
the rest of the autumn. A meat cart rumbled by, it’s wheels
rattling fragilely on the pebbled streets. Most of the
people were waiting to hear the deep tone of Big Peter,
Europe’s largest bell.
“His majesty’s here!” croaked an old man at the front of the
crowd.
A clearing was made for our king, Edward IV. As if out of
nowhere, Edward appeared. He strode through the crowd,
pushing his chest out with pride. His ruffled beard wafted
in the breeze. He gasped a sigh of disbelief as he looked up
at the magnificent structure. His cheeks were a cheerful
rosy red and he stank of mouldly ale. I couldn’t believe
Edward IV was before me. He was led up to the doors and he
placed his scarred hands on the handles.
Big Peter rang. Its deep voice boomed all around York, to
mark this historic occasion. The King retained his grip on
the handles and flung the doors open. Gasps of delight arose
as the first of many people surged in to the Minster.
Slowly I paced in, not knowing what was in store for me.
By Fiona P
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A Medieval Shambles
As I approached the fleshammels, the familiar smell of
animal flesh wafted through the air. I wrinkled my nose
until I was used to the smell, then began to tramp to the
entrance of the little street. My feet picked their way over
the uneven cobbled ground. The coarse brown material of my
long tattered dress swished around my cold ankles as I
walked. The dirty ground stained my shoes, each which
consisted of a thick piece of material. Suddenly a small
herd of filthy pigs stampeded past me and on down the
street. They paused now and then and let their grubby snouts
wander through the remains of animals rotting corpses. Rusty
hooks were buried deep into the rotting wooden beams, which
overhung from the tops of the windows. Huge joints of fresh
meat were suspended from the strong hooks. Blood trickled
down the meat and splattered onto the ground. People pushed
and shoved, determined to reach their destination. I strode
over a small pool of murky water and focused on a small
piece of meat, which was on display on a wooden shelf
beneath the window. Flies swarmed around the heap of meat. A
hubbub of voices filled the air. The plaster on some of the
shop walls was stained with smudges of grey. I peered
through the open wooden shutters. A strong odour caught my
nose. I pulled away quickly. The butchers’ shops leaned
haphazardly towards the cobbled street. I slowly traipsed
down the street and as I did, I felt as though the shops
were closing in on me. The sound of more pigs grunting
mingled with the general noise the humans made. Heavy wooden
doors were implanted in each of the low doorways. Small door
knobs provided the way to enter the little shops. Suddenly,
a woman dressed in a shaggy torn dress and a starched white
apron, tramped out of a shop further down the street. She
was struggling with a bucket made from tough leather. Murky
dirty water sploshed over the side as she walked. Wisps of
straggly brown hair were plastered to the woman’s sweaty
forehead. Little beads of sweat trickled down as she
struggled with the bucket. Then, without warning, the woman
tipped the contents of the bucket over the uneven floor. The
filthy water hit the ground forcefully, sending innocent
passers-by into a sorry state. Trickles of water sidled
along in the nooks and crannies of the cobbled ground.
Ragged curtains fluttered behind the rickety houses’
shutters. A group of chickens clucked and screeched as they
strode down the street, flapping their feathery wings. I
hurried along, as the grey sky threatened rain. My feet felt
sore as I walked toward the end of the dirty street and to
my home. The harsh wind gusted through the narrow street and
up behind me as I scurried away from the fleshammels.
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