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High Quality Art

Martin Harvey

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High Quality Art

Drawing

'Side Door Into Castle' 'Whitby Abbey'

'Side Door Into Castle'

An excellent example of light and dark shading with pencil.

'Whitby Abbey'

Part of a piece of illustrated writing containing wonderful descriptions of the old town at night.

'Great Diving Beetle Larva'    'Rotten Bark'

'Great Diving Beetle Larva'

A far bigger than life-size drawing of this predator, which the artist found in the school pond.

'Rotten Bark'  

The artist has looked very carefully and drawn every detail of the moss-covered bark in pen and ink.

'Saxon Warrior'

'Saxon Warrior'   

A detailed pen and ink drawing in which the artist has made excellent use of patterning techniques developed in skills sessions.

Water Colour Painting

'Blonde-Haired Girl'  'The School Pond'    

'Blonde-Haired Girl' 

The artist had not used water colours before Y6, and this painting was done in the autumn term; giant steps in a short time.

'The School Pond'    

Every part of this painting is in water colour, even the frog spawn!

 
 
'Parrot' tree and water

'Parrot'

Part of a wonderful piece of illustrated writing, which had a musical stimulus.

 
'Male Pheasant' 'Woman With Long Hair'

'Male Pheasant'

A good example of the artist using a 'speckling' technique developed in a skills session.

'Woman With Long Hair'

A really well-proportioned face, with consideration given to light and dark.

'The Feasting Lion'

'The Feasting Lion'

The artist has used a variety of patterning techniques on the lion.

Powder Painting

'Humber Bridge' 'Himalayan Landscape'

'Humber Bridge'

A sunrise view of the bridge, using thickly mixed paint.

'Himalayan Landscape'

Excellent colour mixing and application of thick paint.

'St.George's, Doncaster' 'Hardraw Force', near Aysgarth Falls, North Yorkshire   

'St.George's, Doncaster'

A painting of the church on fire in 1851. Excellent techniques for the sky and brickwork.

'Hardraw Force', near Aysgarth Falls, North Yorkshire   

Good colour mixing and thoughtful techniques used in painting the sky.

'Cregennan Lakes' Wales

'Cregennan Lakes' Wales

A painting which reflects the mood and atmosphere of this beautiful part of Snowdonia.

Children must be encouraged from an early age to think as artists, showing care, concentration and pride in their work. When they fasten their boots and kick a football, they cease to be a ten-year-old child. They enter the theatre of dreams, they hear the roar of the crowd and become the star player. When they dance in front of the mirror to the accompaniment of this week’s number one, they become that performer. So when they paint, let them become an artist, just as when they express themselves in writing, we encourage them to think as a poet, novelist or reporter.

 

I help children to produce high quality paintings and drawings, and demonstrate effective strategies aimed at making all teachers good teachers of art. I place a strong emphasis on teaching painting and drawing skills effectively and setting children tasks which are appropriate to their skill levels. By teaching skills, promoting good use of tools and materials, and by encouraging close observation and attention to detail, we can open up success to all children, and not just to the two or three in every class who have a natural aptitude for art. I regard Art as a vehicle for developing positive attitudes to learning and personal qualities such as perseverance, concentration and care, which influences children’s performance across the curriculum.

 
I focus on teaching drawing with pencil and pens, and painting with watercolour and powder paint. They are not the only media which children can learn to use effectively, but we must avoid the temptation to 'dabble'. Having been taught painting and drawing skills, children need regular opportunities to put these skills into practice, to gain confidence, to improve, to achieve and to gain satisfaction from success.
 
Ball point pens, pen and ink, and fine fibre-tipped pens are great for drawing, particularly in black, but the power and flexibility of the pencil should not be underestimated. There is such a lot children can do with a pencil. This is true with both with observational work and narrative drawings.
 

 It should be stressed that the aim is not to try to produce good watercolour 'artists' in the traditional sense of the term, but to enable children to develop and extend those skills and techniques already acquired through the use of pencil, pen and ink and powder paint.Once watercolour has been introduced to the children and they have had an opportunity to develop their resources in using watercolour, this media can provide another option to them for excellent observation work, illustration of written work and the development of fine art work.The very nature of watercolour as a medium makes it ideal for developing fine motor skills.  

 

  By teaching children how to mix thickly and apply paint carefully, giving clear and simple guidance and advice, having high expectations and providing support, we can enable children to progress and succeed with powder paint. It shouldn't be seen as messy activity. Powder painting can take many forms, from detailed, small scale observational work, to very large group paintings,

 

 Painting and drawing should always be an enjoyable experience for children, but they should be discouraged from looking upon art as an easy option. Children need to see that their teacher recognizes their efforts and the care they have taken with their painting. It is essential that the teacher carefully, stores, handles and displays paintings so the children feel that their work is respected.

 

 

 
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